Resume
Education
PhD, Art and Archaeology (Contemporary), Princeton University
MA, Art and Archaeology (East Asia), Princeton University
B. Comm Studies (2:1), Advertising and PR, Nanyang Technological University
GCE A Levels, Theatre Studies and Literature, Victoria Junior College
Professional Experience
Curatorial / Advisory
Michelle Lim began curating in 2001 and transitioned to independent practice in 2003. Since then, she has developed curatorial and research-driven projects across Singapore, New York, Tokyo and Paris, with sustained focus on cultural ecologies, community-oriented exhibition models, and eco-political histories in the Global South. Her work emphasizes open exhibition and research frameworks that extend beyond the white cube and conventional museum structures.
She has worked with and advised private collectors, museums, art fairs, and cultural organizations internationally across curatorial initiatives, research, public programming, and cultural philanthropy. Her practice is international in scope and grounded in long-term engagement between industry and academia, informed by art-market experience and curatorial intuition.
Selected Roles and Projects:
Co-founder, Art Linguistics (2023– ), a cultural philanthropy advisory integrating curatorial thinking into legacy planning and sustainable cultural impact strategies
Deputy Director, Ravenel International Art Group, Singapore (2001–2003), where she played an early role in identifying the market potential of contemporary Chinese art and introducing key artists and works to new audiences
Lead curator, Visions & Illusions: Reconstruction of a City (2004), an independently supported exhibition featuring over 50 Singaporean artists and creatives, at St James Power Station
Co-curator, Undercurrents: Experimental Ecosystems in Recent Art (2010), Whitney Museum of American Art, with multi-site activations across New York City
Curator, Eat & Crit—Stories about Food, Art and Communities (2011–2015), an independent, community-based project presented in New York and Paris
Member critic, AICA-USA, the largest national chapter of the Association Internationale des Critiques d’Art (AICA) founded in Paris.
Led and moderated workshops and panel discussions at major institutions, biennales and art fairs, including the Smithsonian’s National Portrait Gallery, Tokyo Geidai, the Mori Art Museum, the National Gallery Singapore, Singapore Biennale and S.E.A. Focus Singapore.
Served on the Singapore Art Museum Acquisition Committee, the Singapore Biennale Advisory Committee, and the Künstlerhaus Bethanien Residency selection committee for the National Arts Council Singapore.
Diplomacy
Michelle served as a Foreign Service Officer in Singapore’s diplomatic corps from 1998 to 2001. This diplomatic experience informs her understanding of governance, negotiation, and decision-making within complex international institutional and philanthropic environments.
Selected Responsibilities and Engagements:
Served in the Ministry of Foreign Affairs’ Protocol Directorate, overseeing the application of the Vienna Convention on Diplomatic Relations and the Vienna Convention on Consular Relations, including accreditation, diplomatic privileges, and official state protocol
Served on the political desk covering Australia, New Zealand, and the Pacific Islands
Political and diplomatic coordination for Singapore’s first bilateral Free Trade Agreement, signed with New Zealand in 2000
Supported Singapore’s successful bid for a non-permanent seat on the United Nations Security Council (2001–2002) through diplomatic lobbying efforts
Staffed official ambassadorial and ministerial delegations to Australia, Fiji, and Papua New Guinea
Hosted official visits by heads of state and cabinet ministers, including the Prime Minister of New Zealand and the King of Tonga
Brand Strategy & Creative Practice
Michelle is the founder of GroundFire.live, an art and luxury branding platform focused on strategic artist representation and brand collaborations. She is an independent creative strategist with experience across advertising, public relations, and brand storytelling. Her background includes advertising work at Saatchi & Saatchi Singapore during its tenure as International Agency of the Year (1998) under the creative leadership of David Droga, as well as early international recognition as the first non-U.S. finalist in the student category of The One Show.
As a creative director and producer, she has developed campaigns across retail, art, lifestyle, real estate, and social services. She also brings experience in market research and audience insight from her work as an analyst at Euromonitor, informing a strategic, research-driven approach to brand development and cultural engagement.
Research & Teaching
Michelle’s academic work examines art history and contemporary art practices through exhibition histories and transnational frameworks in the Global South, with particular emphasis on East Asia and Southeast Asia. Through curatorial initiatives, publications and public engagement, she shapes pedagogical approaches, audience development, and community formation in postcolonial and emerging art contexts.
Academic Appointments:
Lecturer, Art History, School of Humanities, Nanyang Technological University
Graduate Supervisor, MA in Asian Art Histories, University of the Arts Singapore (LASALLE College of the Arts)
Assistant Professor (Art History), School of Humanities, Nanyang Technological University (2022–2025)
Assistant Professor, School of Art, Design and Media, Nanyang Technological University (2014–2022)
Visiting Researcher, Graduate School of Global Arts, Tokyo University of the Arts
Mellon Curatorial Postdoctoral Fellow, Art History, CUNY Graduate Center, New York
Visiting Assistant Professor, PhD Program in Art History, CUNY Graduate Center
Adjunct Assistant Professor, School of Humanities, The Cooper Union, New York
Academic leadership includes graduate supervision, programme convening, curriculum development, faculty search committees, and the development of new academic initiatives.
Selected Publications:
Contemporary Art Beyond Japan’s Seto Inland Sea: Cultural Ecologies in the Anthropocene. Amsterdam: Amsterdam University Press, forthcoming 2026.
American Art in Asia: Artistic Praxis and Theoretical Divergence, edited volume. New York: Routledge, 2022.
“Art and Its Ecopolitics in Southeast Asia.” Special issue of Southeast of Now: Directions in Modern and Contemporary Art in Asia. Singapore: NUS Press, forthcoming 2027.
“Echelman: A Journey through Ink, Light and Batik.” In Radical Softness: The Responsive Art of Janet Echelman. Princeton, NJ: Princeton Architectural Press, 2025.
“Wonder Beirut: The History of a Pyromaniac Photographer (1998–2007).” In Nobody’s Property: Art, Land, Space, 2000–2010. New Haven, CT: Yale University Press, 2010.
“Flâneur on the High Line: The Tenth Avenue Square and Structures of Viewing in a Public Space.” In Undercurrents: Experimental Ecosystems in Recent Art. New York: Whitney Museum of American Art, 2010.
Selected Grants & Fellowships:
SSHR Seed Grant (Co-Principal Investigator), Mapping Southeast Asian Artist-Led Platforms Fostering the Development of Creative Artists (2023–2026)
NTU CoHASS Research Support Grant (Arts & Humanities) (Principal Investigator), From Postcolonialism to the Global South: Language and Form in Contemporary Art (2023–2026)
Japan Foundation Asia Centre Fellowship (2019–2020)
Sumitomo Foundation Grant (2019–2021)
Mellon Curatorial Postdoctoral Fellowship, CUNY Graduate Center, New York (2013–2014)